Death, Dating, and Crazy Shut-Ins: Southern Gothic Writing in “A Rose for Emily” and To Kill a Mockingbird

Southern Gothic is an American subgenre of theshut-in with a mysterious past in a seemingly
Gothic style, which is probably most familiar tohaunted house? Checkmate.
you from the Brontë sisters of VictorianNow that we’ve got a sense of what the
England. (No, we’re not talking Hot Topicgenre’s all about, let’s do a little
here.) Like its European progenitor, the Southerncomparison. One of America’s most
Gothic style relies heavily on the supernaturalwidely-read and beloved Southern Gothic novels is
– only with less “O, Heathcliffe!” andTo Kill a Mockingbird, which chronicles the timid
more “Oh no, racism!” (Unlike Gothicchildhood interactions of Scout and Jem Finch with
novels, Southern Gothic novels are morethe local social outcast, Boo Radley. This book
interested in uncovering social crimes andmay not strike you as particularly gothic,
injustices than being gloomy for gloomy’sespecially if you grew up wanting to befriend Jem
sake.) Elements of the grotesque are alsoand Scout (and possibly even Boo), or to have
common to both genres, but can take the formAtticus for a dad, but technically speaking, it fits.
of actual bodily gore or just extremely flawedLet’s take a look at those criteria again.
characters that are somehow tolerable enough to1. The supernatural. Okay, so Mockingbird isn’t
remain interesting. (See also: “O,exactly supernatural, but narrated through the
Heathcliffe!”)eyes of a terrified six-year old, it might as well be.
William Faulkner is known to have been especiallyScary guy locked in his house for decades
good with the Southern Gothic style, and manybecause he probably stabbed his dad in the leg
American children read his eerie and disgustingwith scissors? It ain’t natural, that’s for
“A Rose for Emily” as early as junior highsure. The only thing keeping Boo from becoming a
school. This short story, which starts with afull-blown Emily Grierson is the fact that he
funeral and ends with the discovery of aisn’t hiding any bodies – that we know of.
decades-old corpse, reminisces on the life of Miss2. Injustice. Boy howdy! Almost every character
Emily Grierson, the recently deceased townin the novel is at least somewhat racist, including
spinster. As it turns out, her dad was a bitour lovable narrator from time to time. The plot
overbearing, and though we don’t know ifcenters around the trial of Tom Robinson, a black
there was any abuse involved, let’s just sayman who is wrongly accused – and ultimately
she didn’t exactly get to break her curfewconvicted – of raping a white woman –
until she was about 35. When the old man finallywho concocted the story to hide her crush on
meets his maker, Emily refuses to admit he isTom from an abusive father. When Tom tries to
dead or leave the house for three days –escape prison, he is shot no less than seventeen
which wouldn’t be so creepy if his decayingtimes. You know, just in case.
body weren’t still in it.3. The grotesque. While To Kill a Mockingbird
The even creepier part, however, is that thisisn’t gory, some of its characters can be
isn’t the same corpse that turns up indownright foul. Mrs. Dubose is a great example of
Emily’s house at the end of the book; thata grotesque character; she’s a humorless old
one belonged to her once and short-termbigot with an unnecessarily possessive attitude
boyfriend, who wined her, dined her, and tried totoward her camellias, but since we later find out
bail on her a few years after her dad died. Boyshe’s trying to kick a nasty morphine
did he pick the wrong woman. While Emily isaddiction, we end up feeling kind of bad for her.
clearly demented, her dad’s mistreatment andSometimes, a drug habit or an overbearing father
the resulting psychological damage neverthelessis all it takes.
make her a sympathetic character. SoSo while the two stories may seem very
sympathetic, in fact, that the townspeople helpdifferent at first glance, they share a particular
cover the murder by spreading lime around hercombination of gothic elements that allows them
house when it starts to smell. (WON’T youto unglamorously explore social and cultural issues
BE my NEIGH-BOR!) So let’s recap just howof the South – whether they be racism and
“A Rose for Emily” stacks up as abigotry or simply the outdatedness of the
Southern Gothic novel. Death? Check. Injustice?“Southern Belle” approach to dating. You
Check. The grotesque? Double check. A scarydecide which is scarier.